More on Cheng Man-ch'ing and Yang Style T'ai Chi

Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby Audi » Fri Aug 27, 2010 11:36 pm

I'm learning the form of CMC system. I happened to have a western sword and played it with my friend.

http://www.tudou.com/programs/view/QiiHuqdzEvM/
http://www.tudou.com/programs/view/X1j8QrHeLkc/


Hi Fumin, thanks for posting. Very interesting. Do you ever fence with Western style fencers? From what I understand, they try to go around the opponent's blade, but we try to stick. I am curious as to how the clash in approach tends to feel.
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Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby fumin » Wed Sep 01, 2010 11:45 pm

Hi Audi,

I like to use anything at hand to practice with my friend, such as stick, bamboo broom, bottle, shirt and of course Taichi sword.
I have never fenced with Western style fencers, but my opponent in the video did . The western sword is much lighter than Taichi sword.
I think our waist and steps should follow the eyes and the sword ,at the instant time, reacting upon the opponent's speed, round-side pierce and sudden forward attack. We absorb something from each other.

http://www.tudou.com/programs/view/oWS0XDfhpxw/

Have fun
Fumin
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Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby ShowHong » Sun Sep 05, 2010 4:15 am

by mls_72 » Tue Jun 29, 2010 2:29 pm
"Being a CMC person from the start....the only thing i have to say is... I asked Fu Zhong Wen about Cheng Man Ching and he laughed. His translator (his grandson) said the Fu had studied with Yang Chen fu since the age of 9 and followed YCF almost everywhere to help teach. He said CMC was only around a few short years."

Many in the Taichi circle have made light of CMC’s Taichi accomplishment basing their allegations very much solely on the perceived short stint of CMC with YCF. These folks have conveniently ignored a very basic fact of life that life is not fair. Some individual’s achievement in a few short years can be much more than what many others can get out of their entire life’s effort and toil. A couple of historical cases come in mind: First, Wu Yu-Shiang, the author of two of the five classics that form the core literary transmission of Yang Taichi lineage. His pedigrees consists of a very short few months of study with YLC and then, if I remember it correctly form what I read many years ago, a very short couple of years with Chen Ching-Ping in Zhaobao Village. His study with YLC was so brief in time and substance that that experience is barely mentioned in Wu/Hao Taichi history. Yet practitioners of his school are responsible for a large proportion of contemporary Taichi literature commonly known to Taichi students. Another case, Sun Lu-Tang studied with Hao Wei-Chen, lineage holder of the Taichi taught by Wu Yu-Shiang, for only a short several months. Yet no one ever questioned if the Taichi he taught and the book he wrote were genuine or legitimate.

Fu Zhongwen stated in an interview published in Inside Kung-fu, April 1993:
"...Cheng Man- ch'ing was legitimate, and now it is important for his students and other North American practitioners to research where 'they first drank the water.'..."

Just imagine that professors at Zurich Polytechnic, Albert Einstein’s alma mater, would advice Einstein’s students to research where ‘they first drank the water’. It is proper that the school would feel proud of its luminous graduates and honored that it took part in their formative years. But it would be preposterous for the school to see itself as if it were indispensible to or the sole source of its graduates’ accomplishment. Sun Lu-Tang got his Taichi from Hao Wei-Chen. He turned around and taught “Taichi Chuan” to others and wrote a book “Taichi Chuan Shue” on it. He did not teach Wu/Hao Taichi nor did he write about Wu/Hao Taichi and I doubt that he ever recommended his students to further their study with the Hao’s after they were done with him. Apparently the Hao’s were not bothered that Sun Lu-Tang and his students did not search where they first drank the water.

If seeking out the ultimate source of the water that we now are drinking is really important or of great interest, then we must own up to the fact that neither any of our teachers nor any of the masters that we know of invented or discovered Taichi Chuan. So we must go beyond YLC. (Sorry, Earl, you didn’t set your sight far enough.) A Taichi master of the Yang lineage did just that. Wang Tzuang-Hong (王壯弘 http://www.taijiacademy.com/trad/master_wong.htm), a Taichi adept graduated in a short two years under Dzu Guei-Ting (褚桂亭) who was an in-door student of YCF, in his later years called the Taichi that he taught Wang’s Taichi to signify that what he taught was based on the principles delineated in the Taichi treaties authored by Wang Tzong-Yue. I have no doubt that he retained many of the methods of the Yang lineage but he did not mistake methods for the principle and he understood that it is the principle that defines the art.

It is also worthy of note that Wu Yu-Shiang and his brothers, Li I-Yu, Sun Lu-Tang, CMC, and Wang Tzuang-Hong are all people of letters. Small wonder that Li Ya-Shuan, though a professional martial artist (i.e., not much schooled or well read), would say that Taichi is meant for brainy people.

In the same article Fu Zhongwen also stated:
"The traditional methods of the Yang family style must be preserved..."
In one of Yang family Taichi Chuan instruction CVD Yang Zhenduo also said something similar that his goal and duty is to preserve his father’s form/frame.

To me this sounds like the death nail to the Taichi Chuan his forefathers had mastered. As a comparison, one of CMC’s students, Wu Guo-Tzong, who happened to have studied for only a short five years (CMC’s last five years), got it right – “methods may change but not the principle”. He surely understands the nature of the art very well.

Sincerely,
Show-Hong
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Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby Audi » Sat Nov 20, 2010 5:35 am

I think it is fair and appropriate to ask challenging questions, but I think I have little to offer about Fu Zhongwen's views of Cheng Man-ch'ing. I would like to say, however, that I have enjoyed the presence of at least one devoted student of Cheng's teaching at Association seminars and at the Nashville symposium where five styles were present. In both cases, I believe the individual was simply seeking further insight into his own practice, rather than seeking to change styles.

In the spirit of drinking water upstream, downstream, and in parallel streams, I would like to pose a question about White Crane Spreads Wings in Cheng's form. In his form, Cheng maintains the back foot at a 90 degree angle, which is something I do not remember seeing in any other style or anywhere else in his form. I recall reading somewhere that this posture helped to open the right hip, but do not recall seeing any other explanation. Does anyone know what the purpose of this stance is?
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Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby jacob28 » Fri Feb 01, 2013 10:19 am

hello audi the purpose of the back foot at a 90 degree angle is to help keep the kuai open .not sure i spelled that right but keeping the foot like that opens every thing so you can sink a relax more into the struture ..as far as CMC go's not a big fan he might may have helped to bring tia chi to the westerners but his tai chi hes doing does not follow the princibles or have realy any structure he is colasped every just looks like a wet rag being moved around he did not spend enough time with his teacher .and as fu zhongwen go's he took care of yang chengfu affairs and took on all challengers for yang chengfu and wasnt beaten CMC played with fu zhongwen and fu threw him around like a rage doll .you have to give credit were credit is dew
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Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby twc » Fri Feb 15, 2013 7:42 am

I have not met with any of the forefathers before, so I cannot comment if they were really formidable. What I can take reference from is the fact that the social backdrop at their times was one of turbulance. To them, being good at their martial arts, regardless external or internal, was a means to survive. For them to survive to ripe old age, that must really mean something.

I am sure if anyone in this forum was able to time-travel to the times of these Taiji forefathers, we could not even "hold the potty" for these grandmasters. Our asses would be kicked right away.

So regardless how one grandmaster commented about another grandmaster, I don't really care. The fact that I am learning the style of one grandmaster does not necessarily mean that I am as good as that grandmaster. So what if Grandmaster A kicked the ass of Grandmaster B? That's his accomplishment, and does not mean that his student (or his great-grand-student) can do the same.

My teacher always reminds us: "What you are practising now is still mine. Only when you have mastered it would it become yours. Focus on the most important things in your lives. If Taiji is important to you, then start practising and stop chatting".
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Re: More on Cheng Man-ch'ing and Yang Style T'ai Chi

Postby Audi » Mon Feb 18, 2013 2:24 pm

Hi Jacob and twc,

Jacob, thanks for your response.

the purpose of the back foot at a 90 degree angle is to help keep the kuai open .not sure i spelled that right but keeping the foot like that opens every thing so you can sink a relax more into the struture

From what I recall, this explanation does seem right. I think why it did not stick with me is that I couldn't figure out why all the empty stances in his form would not have the same same shape. In the form that I practices, only this posture had the empty stance with the 90-degree angle. Considering it now, I wonder if the thinking wasn't simply that readjusting the foot after the shoulder strike was too awkward and leaving it as is was felt to be compensated for the feeling of opening.

One thing this reminds me of is that different teachers, styles or substyles often reach different conclusions on the same facts. Our form greatly stresses sinking the Qi, but would prescribe a 45-degree angle between the feet to help enable this. We would tend to feel that keeping the kua at 90 degrees would make it difficult to feel the weight in the bubbling well, round the crotch, relax the "waist," and sink the Qi to the Dantian.

twc, I think I share an orientation similar to yours and particular liked this quote:

My teacher always reminds us: "What you are practising now is still mine. Only when you have mastered it would it become yours...."


The part of Tai Chi that interests me the most is in how theory and practice relate to each other and not really in theory or practice by themselves. I have just returned from an Association seminar where Master Yang Jun talked at length about 文(wén) and 武 (wǔ). Before his explanation, I had understood these words only in terms of two aspects of traditional Chinese government and the aspirations of all educated scholars within it: civil and martial. After his explanation, I understand these terms much more broadly and also now understand why certain types of Tai Chi teaching have appealed to me more strongly than others. I want to hear more than excerpts of theory and see more than occasional applications. I like hearing and seeing a clear and detailed method that leads from one to the other.

Take care,
Audi
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