by Audi » Thu Jun 30, 2005 1:22 am
Hi Luuk,
Thanks for posting the video clip and the page from the book. It is very interesting to look at these. (By the way, I had to open the video clip directly and could not get it to work from a saved file.) I now question whether my memory of either of the Fu’s was correct or whether I maybe just seeing more now than I did before.
<BLOCKQUOTE><font size="1" face="Verdana, Arial">quote:</font><HR><font face="Verdana, Arial" size="2"><B> Could somebody explain me how to perform the correct Left Ward Off position.
You see the forms with the torso and face facing south and variations facing west.
Assuming you start the form facing south.</B></font><HR></BLOCKQUOTE>
<BLOCKQUOTE><font size="1" face="Verdana, Arial">quote:</font><HR><font face="Verdana, Arial" size="2"><B> Could somebody explain me how to perform the correct Left Ward Off position.
You see the forms with the torso and face facing south and variations facing west.
Assuming you start the form facing south.</B></font><HR></BLOCKQUOTE>
In my view, there is no one “correct” way to do Ward Off Left that is true for all Yang Style; however, I believe there are many, many wrong ways. Personally, I think you cannot go wrong with copying a teacher with a deep understanding of the principles of Taijiquan and of form design. If you do not have such a teacher, then I think you can copy someone who knows how to copy from such a teacher or from a student of such a teacher.
There are a number of aspects of what I see in the video clip that are somewhat different from what Yang Jun and Yang Zhenduo teach. Some of the differences might be fairly subtle to someone unfamiliar with either type of teaching, but would be quite obvious to someone with long familiarity with either. Since I have never met the Fu’s or been taught by them, there are a number of aspects of these postures that I cannot explain. Perhaps, someone who is more familiar with their teaching can do so.
What I do see in the video clip is as follows. It seems that Fu Shengyuan first pivots his right foot on the heel 60% (or more?) to the right and then steps due south with his left foot. As he transfers most of the weight to the left foot, his spirit, intent, and power seem to be focused due south in an application that I cannot fully identify. Just before he finishes transferring weight, he pivots on the ball of his left foot so that his heel moves 45% to the left and his left toes face southwest. Just before his arms finish separating, he adjusts his right foot (I think by pivoting on the ball) so that the heel moves to the left and the toes end up pointing due west. During these adjustments, his focus seems to move from the left arm to the right palm or Tiger’s mouth so that his eyes end up facing due west, or perhaps following his right palm even a little further to west-northwest.
From the book, it appears that the culmination of Ward Off Left occurs at this point, with the eyes facing west; however, I could see how some might interpret the initial move to the south as the end of the posture and interpret what follows as a transition into Ward Off Right. For me, the possibility of defining the end of the posture at two different points goes a long way toward explaining why some Yang Stylists say Ward Off Left should face south and others practice it as ending up facing the west.
When Fu Shengyuan begins Ward Off Right, it appears to me that he readjusts the left foot from 45% to 60% from the west by pivoting on the ball of the foot and moving his left heel to the right. He then steps out due west with this right foot.
Since I have not been taught by the Fu’s, I cannot go much further than what I state above. If your goal is to learn the Fu’s way of doing Ward Off left, perhaps someone else can help.
If you would be interested in Yang Zhenduo’s and Yang Jun’s way, I would advise buying the new DVD Yang Jun has produced that is described elsewhere on this site. The DVD is really like a mini-seminar with multiple viewing angles and explanations of applications to explain the intent necessary to do the postures. The problem with books is that it takes too many words to give a definitive explanation of anything.
I hope this helps.
Take care,
Audi