by Audi » Fri Aug 06, 2004 10:13 pm
Hi all,
The earlier posters have provided some good advice about this very important issue. I would add that what is probably most important about lineage is not who someone studied with, but what they learned from that person.
If your knowledge is sufficient, knowing the name of someone’s teacher and the length of study can suggest much. Seeing the person in action can reveal even more. On the other hand, if you are only a beginner, knowing who someone studied with may not tell you much. It is easy to get lost in a thicket of unfamiliar names, styles, and substyles. It can also be hard to judge form movements, because you probably will not know what to look for or might be led to make snap judgments about things many styles consider to be superficial.
Not all practitioners value “lineage,” but most do. To bring in students, most teachers know how to package themselves to appeal to those who value lineage. For beginners, it can be hard to evaluate which marketing appeals have more substance behind them than others; but this issue never really disappears, even for mature practitioners.
I personally would never ask a new teacher a question like: “What is your lineage?” or “Can I push hands with you?” To me, all such questions sound like a demand for the teacher to justify him or herself to a total stranger or as a challenge to defend his or her level of skill and knowledge. I think that one can ask almost the same type of question, however, by asking about the content of what will be taught, rather than directly about the teacher’s source or level of knowledge. In other words, I think it is fair to question what a teacher offers in the way of instruction, but not really to demand credentials. For instance, one can ask what style of Taijiquan someone teaches.
From a teacher’s answer, or from the answers of senior students, one can make a great deal of judgments, even as a well-read beginner. If the teacher says only that he or she teaches such and such a form, this can be a warning sign that his or her knowledge and interests are extremely narrow. In such a situation, I would ask about Push Hands and weapons forms, simply to test the teacher’s attitude toward the art as a whole. One should do this even if one has no interest in studying such things at the moment, because the answer will reflect the teacher’s knowledge and attitude. Another good question is to ask what brought the teacher to Taijiquan, what inspires him or her to practice and teach it, and how did they happen upon their main teacher.
If a teacher can say only that he or she spent a year in China or elsewhere learning this or that form, this also does not say much about their knowledge of the art as a whole. He or she may be an accomplished practitioner of that particular form, but not know much about the art as a whole. I personally would not have a problem recommending for a beginner certain teachers who were accomplished in only a single form; however, all teachers I would recommend could at least talk coherently about more than just that single form. They would be able to explain some theory and give a brief overview of a more complete curriculum.
Even more than worrying about what questions to ask, I think that one should practice good Taijiquan and listen very carefully to what teachers offer in the way of answers and to how they answer. What lineage someone claims may matter much less than how he or she presents his or her claim and what importance he or she attaches to it.
I hope this helps.
Take care,
Audi
[This message has been edited by Audi (edited 08-06-2004).]